I currently do silver gelatin enlargements in 4x5 and cyanotypes/vandykes in 4x5 and 8x10. My alt process prints usually lack contrast, however, because my negatives are processed with silver printing in mind. Also, I use HP5+, which has a limited maximal contrast, I understand.
As I don't intend to change film, for several practical reasons, I'm tempted by Pyrocat-HD, which is said to produce negatives that behave differently under normal and UV light. The same sheet could then hopefully be printed by silver and alt processes.
I currently expose my HP5+ for EI 250 and tray process it in HC-110, dilution B, for 6 minutes (instead of the recommended 5). I don't have a densitometer, but my negatives normall print with a grade 2 filter on MC paper. I'd like to reach a similar density with Pyrocat-HD. I recently bought a rotary processor (Unicolor), which is one of the reasons why I'd favor this particular pyro formola over the others.
Now, my questions.
1. Is it reasonable to expect dual purpose negatives from HP5+ that would print on grade 2 paper and that would also yield excellent to good contrast with alt processes?
2. Can you offer a starting point for processing, keeping in mind the density I usually get and that I'd like to maintain?
3. What's the practical difference between 1:1:100 and 2:2:100 dilutions and why would you use over another?
4. Ordering the ready mixed product in the US is expensive, while I have a fine chemical supplier with low prices almost next door. Anything I should know before I mix my own Pyrocat-HD, apart from the obvious advice not to breath the pyro dust?
5. Anything else I should know?
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