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I work along the high line, around 28th. Its usually where I eat lunch :)

Overall, it was a pretty thin result, (possibly too short of an exposure time).

Why? Why not? I like the aesthetic of holding an 8x10 chrome neg, and while this probably won't be close, it's cool....

Your preference for B&W, or whatever's laying around?

Well, I've just got off the phone with one of my friends (an Imaging Science and Photo Tech double major) and consulting my copy of Materials and Processes of Photography and we've come to a...

I don't have a darkroom setup (just film dvel), nor the room but I've been thinking of taking a developed 4x5 negative and exposing it to secondary piece unexposed of 4x5, something like a contact...

I'm still not sure of which screw I should be wiggling for infinity adjust =[

A calumet monorail can be had for easily under $500, and have plenty of movement (in a tilt/rise/etc. way). Either hope for a lensboard and use what you got or look for one as a package. It will be...

Hmm, here's what I'm looking at:

http://i11.photobucket.com/albums/a192/dwang2010_2/_MG_6016.jpg

http://i11.photobucket.com/albums/a192/dwang2010_2/_MG_6022.jpg

Got it, but now I'm not sure which screw I'm supposed to be looking for to adjust for infinity

Oh dear, confused again!

So, when I focus on infinity:

(A) Leave the track fully retracted, and (unlatch) and pull the standard to accurate GG infinity, lock it, and adjust the screw, and then...

I should (admit) that I was being a braggart, I just want to calibrate for the 135/4.7 (leave the Zeiss to GG). I gave the Graflex.org instructions a read (I have a side-mounted Kalart). And I read...

I've picked up a Crown Graphic with the Graphex 135/4.7 (and a Zeiss 135 6.8 too), but it would appear that the Kalart is way off, and as much as I'm trying to pick up from the (very) numerous...