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Thank you so much for your help and the encouragement! Short of taking my eyes out and replacing them with a CMOS sensor, or better yet, an eye-shaped polaroid camera, I will go the progressive lens...

I thought this day would never come, having had corrective lenses for myopic me all my life - I learned keeping the glasses on while focusing through a prism view finder or focusing loupe, and taking...

Beautiful capture!

I sometimes use Fujiroids to tackle challenging lighting situations, most often when shooting with studio strobes. Been using the Fuji-color 4x5 instant film and the appropriate back from Fuji....

Yes, would love to see some photos and a source for buying the motor.

Belmont here.

Belmont here about two weeks each month.

Some cent captures from the NH coastline. Efke 25 in rodinal 1:100, 1 h standing tank development.

The only store that seems to have many large format goodies in the area is EP Levine, among the local ones I have tried. They have a great selection of second hand lenses and LF accessories. The film...

Hi,

Are the rumors true that Fuji has changed chemical suppliers and come up with a new formulation for Velvia 50 and that these will be made available in November, including in 4x5 and 8x10? Or...

David,

Welcome to the club. I just moved to Boston from California and managed to get my gear across in one piece. Darkroom is going to be ready tomorrow night.

Hope to see you at some of the...

I usually bring along my medium format camera, wherever I go. After developing and scanning/printing I often think - should have taken that in LF because of sharpness, resolution, perspective...

I routinely use it for 8x10 b&w processing with decent results. Make sure you have good ambient temperature control at 68-70F, the drum is level and you pour in solutions quickly. For D-76 1:1,...

I also go for intentional or unintentional (e.g. pinhole in bellows) double exposure. The pattern seems too regular to be cause by film degeneration. Is the film IR sensitive? In my IR days, I have...

Superb use of light, shadows and DoF!

The two attached photos were made a day after the "official" equinox at the Salk Institute in La Jolla. This time, I used a 65mm Schneider lens on a 4x5 Cambo Master with Velvia 50. Tilt-shifted to...

Congratulations and welcome to the club.

I typically shoot a variety of B&W emulsions, Velvia 50 and Portra 160. I develop all B&W and C-41 in my darkroom, and outsource E-6 to North Coast. I scan everything with an Epson 750 for cataloging...

I recently did an assignment for a client who wanted a specific building as a B&W print. I did not share any information on how the image was captured and just provided proofs that we're composed of...

I have tons of free storage I can offer. Even would maintain the surplus equipment by starting them up every now and then - ;-)

If I had to chose one, I'd be shooting large format a all times. What attracts me beyond resolution and freedom of composition are the plethora of options to process film to bring out the best...

Most of my major film needs are currently met, but I could not live without Velvia 50 and Astia 100F, should they ever be discontinued.

I would buy, TriX, IR HIE and Aerochrome equivalents in...

Here's my favorite tree constellation. The photo was made with a Cambo 4x5 and a 210mm Schneider Apo on Velvia 50 during early morning light. While I usually prefer tree silhouettes in b&w, I like...

Awesome story and portrait to boot. I love the fact that sometimes the low tech solutions give the best results!

I would say it depends. I most frequently use the JOBO 3010 for all color and most B&W processing.

Dependent on the B&W film and the looks I want to create, I use standing tank development and...