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  1. Re: How many holders do you usually take with you when shooting?

    For 4x5, I usually take between 8 and 20 film holders, when I am using the 7x17 or 12x20, I take 3 film holders because of the weight and slowness the process using ULF gear.
  2. Re: Need Advice for beginner Platinum and Palladium Printing

    I strongly urge you to get a book on platinum printing, this will save you much time, frustration and money. The best publication is: Platinum & Palladium Printing, Second Edition, by Dick...
  3. Re: Film and developer for in camera negs for pt/pd

    I want to second Paul Barden's recommendation of Ilford FP4+ film and Pyrocat HD or PMK Pyro developers for making in camera negatives for alternative processes such as platinum prints, kallitypes,...
  4. Thread: Foma 200?

    by Gary Samson
    Replies
    77
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    10,837

    Re: Foma 200?

    I purchase a box of 4x5 Fomapan 100, 50 sheets in June of 2020. Tiny black spots on all 12 sheets I shot and processed with two developers, Pyrocat M and Rodinal. That was it for me, I will not give...
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    Re: 4x5 Graflock film backs

    This topic doesn't really belong in the ULF thread.
  6. Re: ABC Pyro in sun hit balcony and Mask for powder water mixing

    Pyrocat and PMK Pyro were designed to work better with modern B&W emulsions. If you want to get the optimum quality negatives with a staining developer, I would recommend you use one of these two...
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    Re: RIP William "WFW" Whitaker

    I am so sorry to learn of Will's passing, his passion for fine art photography and ULF image making was admirable and inspirational, he will be missed dearly.
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    Re: in-camera negatives for Salt Printing?

    Please see the attached link below. The recommended film and developer combination is Ilford FP4+ and PMK Pyro.
    https://core.ac.uk/download/pdf/15614798.pdf

    Gary Samson
  9. Monalog photography group looking for new members

    The Monalog Collective is a group of passionate fine art black and white photographers dedicated to the art and craft of traditional image making utilizing 19th and 20th century monochrome processes....
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    Re: old - very old film

    I would suggest that you take an unexposed sheet and process it to see what the fog level is like, if it is relatively clear, make some photos with it. HC110 would be a good developer for the test.
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    Re: Albumen Print Toning Color Shift Examples

    Carleton Watkins definitely gold toned his prints. His prints would not have survived this long in the fine condition that many of them are in without toning.
  12. Thread: Fixer

    by Gary Samson
    Replies
    9
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    5,139

    Re: Fixer

    You can use a Ilford Hypam diluted 1:3, its economical and easy to purchase.
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    Re: Taking a class and now totally baffled

    While I think that Ilford FP4+ is a good suggestion for expanding tones, I would not assume that all of the subjects Ohio will be photographing are caucasian with skin tones placed on zone VI. Once...
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    Re: Taking a class and now totally baffled

    Here are my suggestions:
    1. I would stay with Kodak D76 straight and rate the film at box speed.
    2. Use an incident meter to measure the intensity of light falling on your subject.
    3. Make sure...
  15. Re: What can cause TINY TINY white spots on a neg?

    The OP reported tiny white dots on the positive image and purple dots on the negative image that create the white dots in the positive image. Please see my original post.
  16. Re: What can cause TINY TINY white spots on a neg?

    I bought the Fomapan 100 because I read many good things about this film and wanted to test it. I processed several exposed sheets in Pyrocat M and saw the spots on the film with a loupe. I ran...
  17. Re: What can cause TINY TINY white spots on a neg?

    204730Are you using Fomapan 100 film? I have identified a problem with a box of this film (4x5 inch) 50 sheets, expiration date April, 2022, batch no. 021354-03, purchased from B&H. See the attached...
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    Re: vacuum frame

    Here is a website for Edwards Engineered Products, they make vacuum frames.

    http://www.eepjon.com
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    Re: Film & Developer combo for Salt Prints

    Bob, you are very welcome! As a photography educator for forty years, sharing information has been vital to helping my peers and students to achieve their artistic vision and I have benefited greatly...
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    Re: Film & Developer combo for Salt Prints

    Here is the link:

    https://researchbank.rmit.edu.au/eserv/rmit:7850/Young.pdf
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    Re: Film & Developer combo for Salt Prints

    The combination that has worked out the best for me is Ilford FP4+ and PMK Pyro. Rate the film at ISO 125 and develop for 12 minutes at 72f with constant agitation. The developer should be diluted...
  22. Re: Processing HP5+ in PMK developer for salt prints.

    Hi Greg,
    Ellie Young’s conclusion in her manual is that Ilford FP4+ and PMK Pyro is the best combination for salt printing following her recommended processing procedure. When I taught salt...
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    Re: Exact Full Plate Image Dimensions?

    Hi John,

    I just measured my vintage Eastman 6.5 x 8.5 inch film holder and the image area is 6 and3/16th inches by 8 and 3/16th inches. I hope this helps!
    Gary
  24. Re: Insight Requested on ULF Studio Camera Project

    Hi Leo,
    Since you want to make Ambrotype portraits with your camera, I would recommend that you think about increasing the amount of lighting for that purpose. I use 4800 watt seconds for my...
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    Re: November 2019 Portraits

    Thanks! The aperture was f11.5.
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    23,122

    November 2019 Portraits

    Studio portrait of Anastasia. Wisner 4x5 Technical Field Camera, 240mm f5.6 Schneider lens, Ilford HP5+ film, Pyrocat M developer.
    197160
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    Re: In Memory of Bruce Barlow

    I am so sorry to learn of Bruce's passing. I used the Fred Picker video on printing for many years with my photography students, Bruce was the gracious host who gently held everything together in the...
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    Re: Dark Clouds on Negative Development

    You should be washing your film after the Fixer Remover step, did you leave it off the list of the processing steps accidentally or are you doing this? Are you processing one sheet at a time?
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    Re: Beginning Wet Plate (part 1)

    I strongly urge you to buy the wet-plate manuals by Osterman & Scully, John Coffer and Quinn Jacobson, they all have useful information that will guid you through the process. Coffer's manual comes...
  30. Re: 2018/2019 8X10/11X14 Print Exchange begins today

    Received my box of prints yesterday, thanks to all the participants!

    Gary
  31. Re: Dektol dilution recommendation for overexposed negs? (16x20 prints)

    Based on your description of how you exposed your negative using an orange filter, f45 and a 10 second exposure, I think you may have grossly over exposed the negative. I think the correct exposure...
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    Re: When Good Pyrocat goes Bad

    I have never had a failure with Pyrocat, but I use the Pyrocat M version and mix the A and B solutions from scratch myself using distilled water and storing the solutions in wine bottles with air...
  33. Re: My Journey To 16x20 TinTypes: Step 2 - Plate Holders

    Are you sure your lens will cover the 16x20 format?
  34. Re: Kodak XTOL Replenished - Small Tanks - Ilford FP4

    Xtol instructions suggest agitation every 30 seconds, and that would be my first recommendation to increase contrast. If this change is not sufficient, I would also increase the time by a minute or...
  35. Re: 2018/2019 8X10/11X14 Print Exchange begins today

    Hi Randy,
    I'm in on the print exchange.

    Gary Samson
  36. Re: Single sheet tray processing (8x10") with PMK

    Tim,

    Do you have the book on PMK Pyro by Gordon Hutchins? Mr. Hutchings has a specific procedure for processing single negatives in a tray with PMK Pyro that works very well. If you are serious...
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    Re: ULF Tipping Point

    Do you have any experience making wet-plate images, if not, there will be a steep learning curve to pour, expose and develop a plate of this size. If you are planning to make 11x14 inch head shot...
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    Re: 5x7 matt for a 4x5 print

    I would suggest at least an 8x10 inch mat for 4x5 inch images.
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    Re: How much stock solution do you mix?

    I use 1.5 liter glass wine bottles with stoppers that allow you to create a vacuum after use. This has been a very successful way for me to keep Pyrocat M for months after mixing. I have never had...
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    Re: Uneven Development

    Can you describe how the film was developed, tray, tank or deep tank with hangers?
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