crust

[Xela]

what are your favourite things to photograph?

[Xela]

People and landscapes.

[Ron Marshall]

People, details, landscapes, interiors

[paulr]

thing i want to get closer to.

[Michael Gordon]

Crust, usually pies, but toast works in a pinch.

[Eric Woodbury]

Light.

[Ralph Barker]

Personally, I prefer the empty pie pan, after the (from scratch) crust and filling have been consumed. ;-)

Otherwise, just about anything that will reflect photons measures up nicely for me.


http://www.rbarkerphoto.com/misc/Tools/Micrometer1104-810Pola-noDOF1-600bw.jpg

<small>scanned from 8x10 Polaroid 804</small>

[Capocheny]

On large format: Landscapes, table-top subjects such as flowers, books, and fountainpens. :)

Tonight... it'll be a split-open, dark red pommagranate.

On 35mm: People and general street photography

Anything photogenic that catches my eye is generally a suitable subject to be immortalized! :)

Cheers

[tim atherton]

things and stuff

[Mike H.]

I'd definitely list "stuff" before I would "things". After those generalizations, I would most like to photograph enough stuff and things in a single image that folks would sit and look for a long time, and then when they came back for a second look, they'd still find more stuff and things in the image that they hadn't seen before.

[Brian Vuillemenot]

I photograph aesthetic imagestuffs.

[otzi]

>>Anything photogenic that catches my eye is generally a suitable subject to be immortalized! :)

In colour whats there
In B&W what it is.
Often poverty scapes.
Insignificant habitation graphics that are bypassed by the eye but stared at in a print.
Also nudes, nudes in nature and nature sans nudes.

[John Kasaian]

Whats beautiful, interesting and/or significant.

Oh, and if its rusty, thats good too!

[CXC]

Freeway ramps, oil wells and refineries, anything industrial and complicated, urban decay. And trees.

[Dominique Labrosse]

Wherever I can find elegance in line, tone & sometimes colour.

[adrian tyler]

i like to photograph ideas.

[William Mortensen]

Through many years of patient, studied practice, I've learned to consistantly create the most beautiful, delicate images of the tiny bits of dust that perch themselves on the surface of my film. It stands as a metaphor for the dust from which we come, and to which we shall all return. Any image recorded behind it is trivial by comparison.

[Xela]

How do i get this crust out of my eye?