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Tim Meisburger
23-Aug-2017, 05:16
There doesn't seem to be a thread on this (if there is, please merge).

Here is what the eclipse looked like outside Washington DC on 4x5 Foma 100 black and white film, shot with a 360mm Tele-Xenar lens. The image of the sun is about 3/16th of an inch across on the negative. The sequence goes until the point of greates coverage (maybe it is called partiality), then stops because I had an eye appointment.

I had to keep moving the camera, so nothing lines up very well, and one spot in the sequence is missing because of clouds over the sun, but I plan to have my daughter fix it all in photoshop, then make a digital negative I can use for prints. I also plan to make some cyanotypes on watercolor paper, then have my wife hand color the sun.

I also shot the sequence on Portra 400 (what I had loaded), but might be a while before I develop that.

168719

chassis
23-Aug-2017, 07:15
There doesn't seem to be a thread on this (if there is, please merge).

Here is what the eclipse looked like outside Washington DC on 4x5 Foma 100 black and white film, shot with a 360mm Tele-Xenar lens. The image of the sun is about 3/16th of an inch across on the negative. The sequence goes until the point of greates coverage (maybe it is called partiality), then stops because I had an eye appointment.

I had to keep moving the camera, so nothing lines up very well, and one spot in the sequence is missing because of clouds over the sun, but I plan to have my daughter fix it all in photoshop, then make a digital negative I can use for prints. I also plan to make some cyanotypes on watercolor paper, then have my wife hand color the sun.

I also shot the sequence on Portra 400 (what I had loaded), but might be a while before I develop that.

168719

Great Tim! Thanks for sharing.

Randy
23-Aug-2017, 10:00
Great attempt Tim - I managed to expose one sheet of 4X5 thru a Wallensak 15" f5.6 Tele-Raptar - but I have a feeling it won't be very good.