- Chocolate polaroids
- Fuji NPS exposure?
- HP5+ in DD-X for N+1, etc.
- Film notch codes
- Selenium Quadtone prints
- 8x10 Contact Acutance Follow-up
- color compensating filters?
- 8x10 Transparency Film
- Kodak Announcement
- Jobo Film Processing 1500 vs 2500
- Source of Plus-X in 5x7 ?
- Kodak TXP Image Ident Mark
- Sealing opened film boxes for long term freezer storeage
- contact printing
- Portra NC160 in Readyload version?
- HP5+ in HC-110 or XTOL?
- Forte website?
- Ready to switch film from Tmax100 to?????
- Polaroid Type 55 negatives and the Kallitype process
- Why do so many LFers use slow films?
- "new" HP5 Plus
- Differences in roll film/sheet film emulsions
- Which colour film do you think will die out first?
- 60 Year Old Negatives - Impressive!
- Old Film - Color Correction - RDP-I
- Unicolor drum Gitzo tripod and paper toning
- PF Forma Flo
- Tray development of old HP5+ negs in XTOL: recommendations?
- Outdated film....Facts please
- Changing the speed on Beseler/Unicolor motor bases?
- Choosing a large format film medium
- Fuji CDU
- Anemic Print Paper
- Polaroid type 55 films -'V' Defect.
- What's you favourite developer for FP4+
- New HP5+
- Weird spotting on sheet Tri-X
- Agfa RSX II definitely gone
- Another New HP5+ Question
- Developing times for Fuji Acros film with rollo Pyro?
- TMax 100 and TMax R developer
- ID-11 vs Perceptol with 100 Delta Professional?
- Weird spotting on Tri-X-Part II
- Jobo
- Resolution of photopaper
- Is anyone processing Astia 100F & Velvia 100F with Tetenal E-6 and Jobo CPP-2?
- Velvia 50 revisited
- Unusual Request
- Velvia Acros prices
- Ziatypes
- Real Cool Prints
- hp5 plus processing question
- Efke PL 100 5x7 film
- Ilford Delta 100 + DD-X Developer
- Negative Contrast for Pt/Pd printing
- 11x14 Slide film
- fuji acros + TMax RS
- E6 on a budget.
- salt printing as practise for platinum/palladium
- What is the finest-grained LF color negative film?
- which is finer grained: the best B&W film, or the best transparency film?
- Where can I get Phenisol?
- Making Internegs
- JandC Classic Film 400 vs. 200
- Lambda printing/ What magnification possible?
- How to Store Exposed Film Before Processing?
- Jobo ATL 2000
- Frame Spacing issues with older Linhof Rollex backs
- Omega Enlarger or Digital Printer
- Brush Agitation Developing 11x14
- Clean a 4x5 negative carrier with anti-Newton ring glass
- Varicon RC Printing Paper
- Salthill
- print washes
- Is anyone using a respirator?
- Pyrocat versus PMK Pyro ?
- What is AZO and where kin I find info about it.
- Anything missing from my survey of 4x5 pan neg films?
- Zone VI cold light
- Zone System Question - Help Me Out
- developing times
- Chemical storage / pyro, 130, etc.
- Developing Kodak Plus-X in trays, suggestions please
- Ilford papers
- Sources of AZO?
- Batch printing and consistency
- Polaroid type 52 vs 54
- Pyrocat-HD questions
- ULF dupes of 4x5
- Clearing agent for Type 55?
- Panatomic-x characteristic
- J&C Classic 200 in F09/R09, developing times
- For inquisitive minds only
- Polaroid type 55
- Platinum Prints
- Semi Stand development with Pyrocat
- Zone vi compensating development timer
- *%&** pinholes
- Pyrocat HD
- Pyro and the newbie.
- Classic 200 and 400 Sheet Film in Europe
- 5x7 Transparency Film
- Time to order your acetic acid
- Will a Horseman 6x12 back fit on my Crown Graphic with Graflok back?
- A couple of questions about BTZS tubes.
- Discussion: Pyro stain, silver rich film & thick emulsion
- Anyone order from Photowarehouse?
- Calumet processor for 8x10 Polaroids
- Polaroid p/n 55. Getting a useable print and neg in one pull
- Flourescent lights and negative or transparencies
- Some questions about processing T-Max 100 4x5 sheets
- What Water Temperature when mixng pyrocat-HD?
- Some questions about contact printing
- HC-110 dilutions
- Source for 8x10 films?
- RA4 second hand processor
- Building a darkroom for a camera club
- Pyrocat-HD Questions, take 2
- Pyrocat-HD Dilution Dilema
- Ortho films - APH, APHS, etc.
- Green safelight
- HC-110/400TXP/Uniroller
- creating a B&W neg from Provia
- Type 79 Green Only
- Masking Type 55 Neg's for Contact Printing
- 4x5 Fuji Film in Dublin
- Polaroid type 55
- Forte back on the web
- EFKE PL100 Reciprocity?
- Reference negative?
- Kodak Question on filmnare
- Why Forte?
- Compare type 52, 54, and 55 print quality
- Half plate film
- Best Mat Cutters
- Contrast for E-6 + older lenses
- Safe light question
- X-Tol disaster
- Sepia Polaroid
- Heat damage to film in the field
- ilford 500 series
- 4x5 in drum roller first experience.
- Reciprocity failure rule of thumb
- "Black Hole" on negative
- Panatomic-X in bulk 5" wide 2000' rolls
- Infrared goggles in the darkroom
- Pyrocat HD with HP4, HP5, TMY 400, Tri-X
- Old printing papers ... lost and forgotten?
- Polaroid Type 52 - coal and ice
- Consistent Printing Over Time For The Same Negative
- brown Dektol
- EI and Times for Tri-X 4x5 (320TXP) in PMK
- Storage of film and prints
- Film development times for Kodak's new 320Tri-X sheet film?
- How to picture an enlarging lens in practice?
- Acros & Xtol?
- Kodak product numbers?
- I have a bunch of extra 8x10" Provia
- Matching print color with Spotone
- Pyro and 4x5 negatives
- Negative carrier etc.
- Enlarger or scanner?
- Beseler MCRX - MXT
- Reduced Ilfochrome Longevity
- Paper Magic bullet?
- Are there reasons not to use the Zone System?
- best tray design for sheet film
- New Vs Old Tri-X testing results
- Those little yellow boxes
- What head for variable contrast 4x5 printing with Omega D2?
- Where can I buy cheap paper?
- Mural Enlargements from 8x10 and Related Questions
- Old Tri-X
- finding film speed?
- For the chemist types… can you explain?
- Loading 8X10 in Beseler Drum
- New VS Old Tri-X Testing REDONE
- LF film and equipment in Miami / Ft. Lauderdale
- B&W on LightJet
- High Volume 4x5 b&w processing
- Processing and printing in the same trays?
- Fuji Acros film numbering system
- Recalibrating film/developers when moving to 5x7?
- Does anyone have few 12x20" Ektachrome or Fuji film for sale ?
- Mixing Pyrocat-HD
- Need help with starting to develop my own film.
- Films for Larger format
- Agnekolor Print Processor
- FW: A Message from Kodak Management
- developer temperature
- Switching HP5+ from Rodinal to HC-110: what to expect?
- so just what IS the deal with Kodak?
- 100TMAX
- Print storage in high humidity
- Difference Between a Process Lens and an Enlarging Lens
- send a message to Kodak
- Life span of C-41 film?
- film defects
- Ancient color techniques
- How safe is freezing film and enlarger paper?
- Film preservation: Deep freezing versus refrigerating?
- !!Where can I purchase outdated film???!!
- Underexposed 4x5 slides
- Requesting a source for 5X7 Plus-X sheet film
- Unloading / Reloading Unprocessed 8x10 Polaroid
- fixer capacity for 8x10 film
- Buying Large Format Film and Equipment in Germany
- B+W printing houses who are now using Chromira or Lightjet equipment ?
- HELP!! Where do I buy outdated 4X5 Large format film??
- The black & white transparency process and dr5 - who's used it/them?
- super chromega dichro help!
- Copying Large Prints
- tank life of glycin developer
- Longevity of Processed Film left in Sunlight
- Longevity of fixer, again...
- HP5 or FP4? Which 8x10 film to pick.
- Photo Chem ???
- Graded papers
- Availability of Quickloads in Lisbon???
- Recycling precipitated silver in old fixer?
- Need feedback on my film tests (long!)
- Developers for pt/pd portraiture
- Floating prints....
- Desperately needed Chemical
- Can tmx100 be pushed two stops?
- Nitrogen Burst Developing
- C-41 The Long and Short of it
- print size
- Contact printing frame repair
- Alternatives to the big name color films?
- Moisture on E-6 Film
- Film
- velvia ready load past exposure
- Platinum Printing and ? changes in T-Max 100
- Arista.EDU sheet film: worth it or not?
- scanning b&w 4x5 negatives
- Dry mount not sticking???
- Polaroid Type 52: ISO and general advices
- Paul Schilliger-27yr old Kodak HS Infrared good
- Receprocity characteristics of Efke 25?
- NOVA Trimate processors and 8x10 film
- Tan Linhof Super Rollex Back on Tech IV
- I built a slosher
- Ilford Delta 400 Professional
- Kodak T-max vs. Ilfotec DD-X
- OT: Free 4x5 TMAX100 to good home
- Follow Up on J&C Classic Films
- Dry Mounting...
- 8x10 tranny films
- 8x10 HP5+ Reciprocity Chart