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View Full Version : Darkroom: Film, Processing & Printing



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  1. Which colour film do you think will die out first?
  2. 60 Year Old Negatives - Impressive!
  3. Old Film - Color Correction - RDP-I
  4. Unicolor drum Gitzo tripod and paper toning
  5. PF Forma Flo
  6. Tray development of old HP5+ negs in XTOL: recommendations?
  7. Outdated film....Facts please
  8. Changing the speed on Beseler/Unicolor motor bases?
  9. Choosing a large format film medium
  10. Fuji CDU
  11. Anemic Print Paper
  12. Polaroid type 55 films -'V' Defect.
  13. What's you favourite developer for FP4+
  14. New HP5+
  15. Weird spotting on sheet Tri-X
  16. Agfa RSX II definitely gone
  17. Another New HP5+ Question
  18. Developing times for Fuji Acros film with rollo Pyro?
  19. TMax 100 and TMax R developer
  20. ID-11 vs Perceptol with 100 Delta Professional?
  21. Weird spotting on Tri-X-Part II
  22. Jobo
  23. Resolution of photopaper
  24. Is anyone processing Astia 100F & Velvia 100F with Tetenal E-6 and Jobo CPP-2?
  25. Velvia 50 revisited
  26. Unusual Request
  27. Velvia Acros prices
  28. Ziatypes
  29. Real Cool Prints
  30. hp5 plus processing question
  31. Efke PL 100 5x7 film
  32. Ilford Delta 100 + DD-X Developer
  33. Negative Contrast for Pt/Pd printing
  34. 11x14 Slide film
  35. fuji acros + TMax RS
  36. E6 on a budget.
  37. salt printing as practise for platinum/palladium
  38. What is the finest-grained LF color negative film?
  39. which is finer grained: the best B&W film, or the best transparency film?
  40. Where can I get Phenisol?
  41. Making Internegs
  42. JandC Classic Film 400 vs. 200
  43. Lambda printing/ What magnification possible?
  44. How to Store Exposed Film Before Processing?
  45. Jobo ATL 2000
  46. Frame Spacing issues with older Linhof Rollex backs
  47. Omega Enlarger or Digital Printer
  48. Brush Agitation Developing 11x14
  49. Clean a 4x5 negative carrier with anti-Newton ring glass
  50. Varicon RC Printing Paper
  51. print washes
  52. Is anyone using a respirator?
  53. Pyrocat versus PMK Pyro ?
  54. What is AZO and where kin I find info about it.
  55. Anything missing from my survey of 4x5 pan neg films?
  56. Zone VI cold light
  57. Zone System Question - Help Me Out
  58. developing times
  59. Chemical storage / pyro, 130, etc.
  60. Developing Kodak Plus-X in trays, suggestions please
  61. Ilford papers
  62. Sources of AZO?
  63. Batch printing and consistency
  64. Polaroid type 52 vs 54
  65. Pyrocat-HD questions
  66. ULF dupes of 4x5
  67. Clearing agent for Type 55?
  68. Panatomic-x characteristic
  69. J&C Classic 200 in F09/R09, developing times
  70. For inquisitive minds only
  71. Polaroid type 55
  72. Platinum Prints
  73. Semi Stand development with Pyrocat
  74. Zone vi compensating development timer
  75. *%&** pinholes
  76. Pyrocat HD
  77. Pyro and the newbie.
  78. Classic 200 and 400 Sheet Film in Europe
  79. 5x7 Transparency Film
  80. Time to order your acetic acid
  81. Will a Horseman 6x12 back fit on my Crown Graphic with Graflok back?
  82. A couple of questions about BTZS tubes.
  83. Discussion: Pyro stain, silver rich film & thick emulsion
  84. Anyone order from Photowarehouse?
  85. Calumet processor for 8x10 Polaroids
  86. Polaroid p/n 55. Getting a useable print and neg in one pull
  87. Flourescent lights and negative or transparencies
  88. Some questions about processing T-Max 100 4x5 sheets
  89. What Water Temperature when mixng pyrocat-HD?
  90. Some questions about contact printing
  91. HC-110 dilutions
  92. Source for 8x10 films?
  93. RA4 second hand processor
  94. Building a darkroom for a camera club
  95. Pyrocat-HD Questions, take 2
  96. Pyrocat-HD Dilution Dilema
  97. Ortho films - APH, APHS, etc.
  98. Green safelight
  99. HC-110/400TXP/Uniroller
  100. creating a B&W neg from Provia
  101. Type 79 Green Only
  102. Masking Type 55 Neg's for Contact Printing
  103. 4x5 Fuji Film in Dublin
  104. Polaroid type 55
  105. Forte back on the web
  106. EFKE PL100 Reciprocity?
  107. Reference negative?
  108. Kodak Question on filmnare
  109. Why Forte?
  110. Compare type 52, 54, and 55 print quality
  111. Half plate film
  112. Best Mat Cutters
  113. Contrast for E-6 + older lenses
  114. Safe light question
  115. X-Tol disaster
  116. Sepia Polaroid
  117. Heat damage to film in the field
  118. ilford 500 series
  119. 4x5 in drum roller first experience.
  120. Reciprocity failure rule of thumb
  121. "Black Hole" on negative
  122. Panatomic-X in bulk 5" wide 2000' rolls
  123. Infrared goggles in the darkroom
  124. Pyrocat HD with HP4, HP5, TMY 400, Tri-X
  125. Old printing papers ... lost and forgotten?
  126. Polaroid Type 52 - coal and ice
  127. Consistent Printing Over Time For The Same Negative
  128. brown Dektol
  129. EI and Times for Tri-X 4x5 (320TXP) in PMK
  130. Storage of film and prints
  131. Film development times for Kodak's new 320Tri-X sheet film?
  132. How to picture an enlarging lens in practice?
  133. Acros & Xtol?
  134. Kodak product numbers?
  135. I have a bunch of extra 8x10" Provia
  136. Matching print color with Spotone
  137. Pyro and 4x5 negatives
  138. Negative carrier etc.
  139. Enlarger or scanner?
  140. Beseler MCRX - MXT
  141. Reduced Ilfochrome Longevity
  142. Paper Magic bullet?
  143. Are there reasons not to use the Zone System?
  144. best tray design for sheet film
  145. New Vs Old Tri-X testing results
  146. Those little yellow boxes
  147. What head for variable contrast 4x5 printing with Omega D2?
  148. Where can I buy cheap paper?
  149. Mural Enlargements from 8x10 and Related Questions
  150. Old Tri-X
  151. finding film speed?
  152. For the chemist types… can you explain?
  153. Loading 8X10 in Beseler Drum
  154. New VS Old Tri-X Testing REDONE
  155. LF film and equipment in Miami / Ft. Lauderdale
  156. B&W on LightJet
  157. High Volume 4x5 b&w processing
  158. Processing and printing in the same trays?
  159. Fuji Acros film numbering system
  160. Recalibrating film/developers when moving to 5x7?
  161. Does anyone have few 12x20" Ektachrome or Fuji film for sale ?
  162. Mixing Pyrocat-HD
  163. Need help with starting to develop my own film.
  164. Films for Larger format
  165. Agnekolor Print Processor
  166. FW: A Message from Kodak Management
  167. developer temperature
  168. Switching HP5+ from Rodinal to HC-110: what to expect?
  169. so just what IS the deal with Kodak?
  170. 100TMAX
  171. Print storage in high humidity
  172. Difference Between a Process Lens and an Enlarging Lens
  173. send a message to Kodak
  174. Life span of C-41 film?
  175. film defects
  176. Ancient color techniques
  177. How safe is freezing film and enlarger paper?
  178. Film preservation: Deep freezing versus refrigerating?
  179. !!Where can I purchase outdated film???!!
  180. Underexposed 4x5 slides
  181. Requesting a source for 5X7 Plus-X sheet film
  182. Unloading / Reloading Unprocessed 8x10 Polaroid
  183. fixer capacity for 8x10 film
  184. Buying Large Format Film and Equipment in Germany
  185. B+W printing houses who are now using Chromira or Lightjet equipment ?
  186. HELP!! Where do I buy outdated 4X5 Large format film??
  187. The black & white transparency process and dr5 - who's used it/them?
  188. super chromega dichro help!
  189. Copying Large Prints
  190. tank life of glycin developer
  191. Longevity of Processed Film left in Sunlight
  192. Longevity of fixer, again...
  193. HP5 or FP4? Which 8x10 film to pick.
  194. Photo Chem ???
  195. Graded papers
  196. Availability of Quickloads in Lisbon???
  197. Recycling precipitated silver in old fixer?
  198. Need feedback on my film tests (long!)
  199. Developers for pt/pd portraiture
  200. Floating prints....
  201. Desperately needed Chemical
  202. Can tmx100 be pushed two stops?
  203. Nitrogen Burst Developing
  204. C-41 The Long and Short of it
  205. print size
  206. Contact printing frame repair
  207. Alternatives to the big name color films?
  208. Moisture on E-6 Film
  209. Film
  210. velvia ready load past exposure
  211. Platinum Printing and ? changes in T-Max 100
  212. Arista.EDU sheet film: worth it or not?
  213. scanning b&w 4x5 negatives
  214. Dry mount not sticking???
  215. Polaroid Type 52: ISO and general advices
  216. Paul Schilliger-27yr old Kodak HS Infrared good
  217. Receprocity characteristics of Efke 25?
  218. NOVA Trimate processors and 8x10 film
  219. Tan Linhof Super Rollex Back on Tech IV
  220. I built a slosher
  221. Ilford Delta 400 Professional
  222. Kodak T-max vs. Ilfotec DD-X
  223. OT: Free 4x5 TMAX100 to good home
  224. Follow Up on J&C Classic Films
  225. Dry Mounting...
  226. 8x10 tranny films
  227. 8x10 HP5+ Reciprocity Chart
  228. APHS Film -- Which Side is Up?
  229. CPA-2 vs CPE-2
  230. Sharpest 8x10 b&w film and dev recommendation
  231. 100 year old picture on glass negative developed in 2004!
  232. Jobo 3006 vs 3010
  233. Unicolor drum problems
  234. Unicolor Drum/Xtol/HP5+
  235. Can you use ra4 chemicals in a CAP 40 processor?
  236. pushing HP5 to 1600, microphen or DD-X?
  237. Unicolor drum problems(continued)
  238. the new Astia 100F-- anyone tried it?
  239. Roll Film Developing Times - Pyrocat HD
  240. Which volum PMK Pyro for 8x10` film
  241. Return to B&W, some advice needed
  242. Revisiting Kodak Polymax Single Weight Paper
  243. What is wrong with D-76?
  244. Processing drums
  245. PPI Hanger Design
  246. 8x10 developing tray insert
  247. Jobo Multitank 5 ???
  248. Kodak cantact paper
  249. restoring old negatives
  250. contact info