- ID11: Batch to Batch Variability Nil
- metering for theater lighting
- T Max user questions
- Need 4x5 Bessler Enlarger Format Scale Measurements.
- Kodak T-Max 100 5x7 Film Availability
- Whay u gonna do with the backup exposure if the 1st one process fine?
- Omega D5 Problems
- Best Blackout material?
- Traditional Darkroom, A Dying Art?
- Odourless rapid fixer formula
- Buggy Darkroom
- 5x7/13x18 Color Negative Films
- pin registration system?
- Kodak TechPan
- Graded Fiber Paper Opinions?
- 2-Bath Development of FP4
- film choice
- using Jobo tank for filmdevelopment
- printing and showing prints
- "Metallic" build-up, older Tri-X Negatives
- Does anyone make a daylight tank for a 5x7 this will hold up to 10 or 12 negatives?
- Working/Assisting gravure/alternative printer
- Indicator stop bath failure
- Polaroid Lift and Transfer Tips
- Unsharp masking - Assistance please
- CAP 40 processor- washing l-o-n-g prints
- Paper
- professional duplicating film
- Tmax100-400 in Rodinal?
- What developer works best with T-Max 400 sheet film with rotary processer?
- 5x7 Kodak Film
- Exposure latitude color neg. vs. color chrome film.
- Perceptol/ T-MAX 400
- Contact Printing - Keeping the Neg in Place
- Dye Transfer
- dry matting/results
- Calibrating 6 x 7 On 4 x 5
- need help re dust on negs problem
- Slow learner?.AZO Paper
- Which developer works best with Tri-X 8x10 sheet film???
- Using Rodinal as a compensation dev for HP5
- AZO Aging
- Directions for Oriental Print Washer
- What to do about proof sheets?
- How to load Polaroid 10x8 processor?
- 7'x4' Negative.
- Polaroid back questions
- Can I correct an oxidizing print (not completely washed I think)?
- can fluorescent lights fog film?
- Extreme zonal contraction
- For those following news of Polaroid's bankruptcy
- Problem with Agfa Multicontrast Premium B&W RC Paper (MCP 312 RC)
- "Archival" qualities of various Polaroid films
- How do I get continuous tones from ortho film
- How usefull is the photo lab index
- Michael Smith/Paula Chamlee SF Bay Area workshop: Darkroom Needed
- What do you think about the BTZS tubes for film Dev???
- ansco130 / GAF universal
- 4 X 5 color film processors
- Polaroid LF- Good Deal OR Garbage?
- Unicolor and Beselar drums
- Announcement: Michael Smith/Paular Chamlee AZO contact Printing Workshop in SF Bay Area Confirmed
- Netherlands: Availability of Fuji Quickload or Quickchange
- Basic instructions for Beseler PM2 analyzer
- Difference between ilfochrome RC and Deluxe papers
- T-MAX 4x5 Film Help Please
- Flashed Opal Glass
- Residue on negatives
- Enlarging lenses and neutral density filters
- Layer Of Color Paper
- Oriental Seagull with Ilford Archival Processing Sequence
- BTZS Tubes for 8x10
- Hewes Film Hangers/Deep Tank Dev
- Unsharp Masking
- Can we use X Ray/Sonography film for daylight photography?
- Type 809 print problems, possibly x-ray dammage
- Reproducing 8x10 Polaroid Prints For Enlargements
- Archival print processes
- Roll Film Holders For Sinar F+?
- Bergger Silver Supreme
- 8x10 Velvia and Astia discontinued
- Placement of filters in enlarger
- Polaroid Back For 2 1/4 x 3 1/4.
- Weston 877 Densitometer. How to use it?
- Berger Films
- Best Color Negative Film
- FP4+ development times in HC-110?
- Mixing chemicals from scratch
- Further on Bergger & PMK Pyro...
- Freezers for Film and Paper
- Dauxlite II
- Negative Washing Ideas?
- Film process question--Xtol and T-Max
- How Long for a 'Fine Print'?
- Building an archival print washer
- DBI and the ZoneVI safe light
- Fortepan 200 and zonal expansion/contraction
- fiber based printing paper"archival"?
- Platinum!
- Toning on films
- Motor Base
- JOBO I cannot get consistent results. WHY
- Film Testing
- Developer for Arista Film
- Fortepan 400 - Schwarzschild Effect
- Infrared on 4x5 - is it the same as using in 35mm?
- print washers
- Methods of storing sheet film negs
- Paterson Orbital Processors
- Luminos paper & a color trannie
- Oriental Seagull available???
- Horseman Rollfilm Holder 6x12
- Problem finding small enlarging filters....
- weston exhibit los angeles
- Guidebooks for alternative printmaking
- Dodging/Burning w/Beseler-Minolta 4x5 A Head
- Film Fogging
- To VC Or Not To VC
- polaroid films for a calumet c400 4x5 camera
- Enlarger Lens For 8x10
- PMK or Divided D76
- Developer for Night Photography
- Polaroid 55 p/n post-exp field storage
- Using a 35mm enlarger as a light source for 5x7 contact printing
- Polaroid Type 55 Discontinued ... not
- 220 film processing
- BTZS Film Tubes and pre-soak
- Blue splotches on TMX100 after development
- What size vacuum pump for 20x24 vacuum easel?
- Controlling Contrast on Graded Papers
- 24x30 Vacuum Easel
- Reciprocity characteristics of Fuji 50D
- Brown Toner,Kodak, Use of
- ground glass mask for 6x9 roll film in Sinar F+
- Photo Formulary's copper toner: experience?
- Reticulated negatives
- Static & Staticmaster Brushes.
- Blue Toner
- Fuji Acros in PMK
- Shelf life of Kodak Rapid Film Fixer
- Print Drum
- Color Out Of B&W in PS at The End
- Wright Morris
- Coffee, Tea, and Reed Dyes As Toners
- Atlanta, GA Zone VI Enlarger Darkroom Contact
- Kodak D76 replenishment
- Film for old polaroid camera
- d-76 problem with hp5+
- D-76H times compared to D-76
- New Pyro developerfrom"Creative Monochrome Ltd."
- Filmloading with infrared light ???
- Experiences with Dixactol
- confused about the"active chemicals" for a jobo
- Ilford XP2 Super C41 chromagenic film - comments please?
- Latent Image Stability
- Ooops....Photo Flo in the Jobo!
- Film Sale and Processing in Las Vegas
- hc-110 dilution
- What became of Galerie?
- AZO report in"View Camera"
- Archival Washer Design
- Combi Plan dev tank teething problems
- Which film best if sent to a lab
- roll paper and extra large easel
- Citrate P.O.P.
- Film washing with JOBO expert drums
- Roll Film Holders
- Developing time for 4x5 FP4 with XTOL in BTZS Tubes
- Freestyles Europes Finest Warm Tone FB What is it?
- contact printing frame
- Platinum printers: dark stains on prints?
- 4X5 polaroid question....
- Wet Plate Process
- How To Make/Buy Pure Grey Paint?
- Color negatives for architectural journals?
- homemade gelatin printing on glass using alternative processes.
- Agfa Portria Rapid paper
- POP Paper
- POP Pyro
- HID unit for pt/pd printing
- Roll Film Back for Omega 45D
- Density Range for different materials
- Paterson Orbital Processor
- Which do you prefer and why - Kodak E100VS or Fuji Velvia?
- Print Dryers
- Improving agitation in hand-rolling Jobo tanks, specific to materials
- Cold storage of polaroid film
- White lines around LF prints
- Anybody use Ektapan?
- 8x10 Polaroid
- Films and Airport: An Update?
- Fiber based versus RC papers: Tonal quality differences
- FP4 vs Tri-X
- f/stop timing and partial stop calculation
- Bergger BPFB-18
- Enlarging Paper Reciprocity
- What Is / Do You Use for Paper Negs
- Extensive f/stop timing table available to anyone
- Reliable Large Format Film/Darkroom Materials Suppliers
- platinum priniting
- Polaroid vs. Calumet 8x10 Pola processor
- Thickness of Toyo Rollfilm holders
- Print Quality Via 4X5 transparency /Scanned/Photoshop/Digital Printed
- Jobo tank for hand processing with PMK
- DR5 for large format
- Colour neg 10x8 streaks
- mixing light, slide film ?
- Help with the Zone System
- Reciprocity and Bergger BPF 200
- Contact Printing Machines
- UV light and PD/PT
- Bleaching Azo
- OverExposing Color Negative, Decreased Grain
- Europe's Finest Enlargeing Paper
- PT/PD Print Exposure & Developing
- Polaroid use with cambo
- Omega D5500 question
- E-6 processing in BTZS tubes?
- Cold Light Timer/Stabilizer
- Polaroid problem
- Fuji Canada Discontinuing Astia
- "Streamers" on negs with Stoeckler dev
- But Film Now - Stock Up - Won't be around Long!
- Developing 8X10 Without A Full Darkroom
- Color Processors???
- PT/PD Negative Density Range.
- More Doom and Gloom Chronic Depression?
- Lens Choice For 69 Roll Film in 45 Camera
- Residual Developer in Negatives?
- Elwood 5X7 Enlarger diffuser - Help Please
- Where are Michael and Paula?
- jobo atl1000 which experiences do you have ?
- LF Neg Storage
- Expiration Dates?
- 4x5 neg processing in homemade tubes
- price of Tri-x 8x10 just went up 10%...pissed me off
- 21/4 x31/4 Negative Sleeves
- uneven overdeveloped circles at the film edge with Kodak hangers
- Rotary processing and compensating development
- Fogged Edge On 4x5
- Enlarger Lens For 8x10
- Persistant problem with Polaroid 195
- Stand or sit
- Traditional B&W lives (For A While Longer!)
- Which densitometer?
- Salt Paper Kit
- Everything But The Darkroom Sink!
- ULF Film suppliers
- HP5+ and high B+F fog workarounds?
- Astia Quickload