- Large Format Black and White Sheet Films
- Is 4x10 film available ?
- 2 Quickies to start the New Year
- Tmax 400 / Xtol - Higher Base Fog Than Usual?
- Developing 4x5 film. which way to go
- C-41 in Jobo
- Shelf life of hypo clear
- Best Prices on ReadyLoad/QuickLoads?
- blue 120/4x5 fuji transparency film
- Full frame carrie for 4x5 negs.
- Info on Kodak Panatonic-x film
- Coffee as a warm-toned toner?
- Tri-x sheet film with D76 1:1?
- Tonal range in large format?
- Where Is Kodalith Fine Line Developer?
- Changing Development time.
- Need Help from members in Switzerland.
- 10x8 in Jobo CPE
- 5x7 chrome film, good sources for
- personal film speed with tri-x and pyro w/ no color densitometer
- Fixer, Developer, Mother Earth
- Jobo temp control
- FP4 compared to Plus-X?
- A product for keeping chemicals fresh?
- "Sprint" chemistry
- B+W printing question
- Dusting negs?
- Why not tri-x for 4x5
- TMY 400?
- So, IS black & white photography on its way out?
- HELP processing with a 3005 expert drum problem
- Drying Fibre-based prints with a clothes iron?
- B+W photo question
- Digital Timer
- Film Agitation
- How about a Beseler Drum with Motor base for Developing?
- reducing bright spots in transparencies
- Loading Sheet film. Notch on left or right?
- Film Pre-Soak before developing
- Pinkish tinge on B&W negatives
- My first 4x5 shot
- LF film recommendation, switching from 120 APX25 (Rodinal)
- What about Gigabitfilm
- Developing 4x5 sheet film in tubes
- Nelson Gold Toner
- T-Max -- Scratches
- reprocity failure chart for kodak film
- Real resolution of films?
- Spacers for Print Drum developing 4X5 sheet film
- Cold Light Installation
- Load sheet film
- FP4 compared to Tri-X Professional?
- Reversal Printing
- Pre-exposing film for decreased contrast ?
- 4x10 film and Jobo Expert 3005
- Spacers for drum processing! My Solution!
- Polaroid Type 79
- anybody using albumen paper?
- 70 mm film processer
- Xtol and HP4+ or FP5+
- disposal of fixer
- TMX and dilute XTOL (1:3)
- How do you dry slide film so it doesn't curl?
- First Attempts at Color
- Roll Film Holders
- Are there different Unicolor drums?
- Photographers Formulary BW-65 & TF-4 ?
- WOOOOOW!!!
- Using Jobo 2509 As an *Inversion* Tank
- Cold storage of film
- Is anyone using Fortepan 200
- Characteristics of Efke OP12 film?
- Cleaning gunk off Polaroid negatives
- Clayton Rapid Fix for Paper?
- Pyro Developers
- Has anyone used Ortho Litho film?
- D76+Tri-X+JOBO......developing time
- "Toning" B&W Images Using Color Paper
- ZONE SYSTEM paper grade
- C-41 Stabilizer (maybe?) Problems
- Ever used Kodak Ektapan 4x5 sheet film?
- PMK Pyro in unicolor drums?
- Rating Polaroid Type 52
- Is Bromoforte paper still available?
- UNDEVELOPED 35mm B&W FILM 30 YRS. OLD, STUCK TOGETHER. HOW TO PROCESS
- The Trouble With Xtol
- Using a scanner as densitometer
- Dixactol instructions
- Manual film processing using JOBO 2500 series tanks
- Film/System exposure calibration
- Has anyone built their own developing tank?
- Unmanagable negative contrast
- archival colour processing
- How much to push/pull
- The search for Azo
- High speed slide film?
- Wilkinson darkroom stuff
- HP5 Plus in banquet sizes
- Archive tips
- The Problem with Xtol - Some After Thoughts
- Processing time/temp in pyro for platinum negs
- Macbeth Quanta Log
- 20x24 or 16x20 4-bladed easels: Beseler or Saunders
- HP Combi-Tank Replacement Parts
- Pinakryptol yellow
- Beta Screen co. ??? what is it!
- Paterson system 4 tank for 4x5 processing
- Having a problem in T-MAX 100
- RIP Bromofort - another cold tone paper gone
- PMK & FP4 time?
- 4x5 film washer question
- r-3 paper in ra-4 developer
- Availability of Fuji Film in 5x7 in USA
- b/w film in readyload packets?
- leaking Unicolor Drum
- Azo toning
- glass for contact printing
- Fuji T 64
- NOVA print processors
- Tonal range of B&W contact prints.
- anti-Newton glass, how is it made?
- Does anyone use colour print film?
- xtol, is it worth it?
- printing b&w on color head enlarger
- How does Ilford Ilfotec HC compare with Kodak HC 110?
- What clouded my negatives?
- Dektol as film developer on Arista 400
- LF Lab in NYC for 8x10
- Fuji Neopan 80 Quickload
- 4x5 Print Film For Lanscapes-Where Did They Go?
- Direct camera exposure on Ilfochrome
- mail order 4x5 processing
- Graflarger & color prints
- Polaroid camera
- Reciprocity failure and development adjustment
- MANY THANKS!
- Is 2x2 film considered Large Format?
- Contrast without densotometer
- Polaroid 545, 505, 405 etc
- RC vs FB prints
- How to process FIBER PRINTS after the wash step?
- Best way to remove black spots and hair marks from prints
- Plate Burners for Platinum printing
- Palladio paper for Platinum printing
- Using color print paper as film?
- Diffusion vs Condenser
- 103 film width
- 4x5 negative storage
- Use of crocian scarlet to spot negs
- What kind of glass for contact printing
- drying 4x5 negs
- Ilford Delta 400 sheet film discontinued
- Using Cachet Expo G
- shooting 8x10 with TMAX and TMY or Tri-X
- Polaroid type 53 vs 52 and 54
- Jobo CPE-2 and 3004 drum
- Large colour print processing drums
- Diffusion vs Condenser (part II)
- Light sources for contact printing
- Grain on 4x5 - could the cause be exhausted bleach?
- Newton's rings only on 35mm but not 6x6
- Gold Toner
- 4x5 infrared manufacturer
- The Greenish Tint of Azo
- glycin
- comparison of hp4+ vs bergger 200
- Divided D23, The Perfect Film Developer?
- Availability of Unicolor 8x10 Film Drums.
- 5x7 Arista availability at Freestyle Camera
- 8x20 negative sleeves
- FX1 & FX2 development - times with FP4+
- Bleaching small areas of a print -- what to use?
- Wrey Copy Lens - f 10, 12" for Enlarging 8x10
- Which roll film adapter for a Wista SP
- Starting time for Bergger BPF 200 in PMK
- uneven development at the edges
- intensifying pyro negs
- Di Xactol /Verichrome Pan views
- Source for TMX in 11 x 14
- Exposure techniques
- Dust Marks on 4X5
- Looking for readyload film...
- Gigabitfilm any user?
- PVC OK for Darkroom Plumbing?
- low water use print washer? Darkroom questions
- Ilfochrome processing
- Favorite Fiber Based paper for big prints (30X40 and up)
- Spotting 4x5 negatives
- Rollex backs
- Brett Weston darkroom technique
- Printing with Multicontrast Filters
- Ready Load/Quickload suppliers?
- Film choice
- Over exposed band when using 405 poloroid holder
- Sources for AZO conatact printing paper
- Is there a good film for night shootings ?
- Where can I probably find Delta 400 5*7 film near Manchester or London?
- Parkinson's Disease - the photographer's disease??
- Anti-Hallation Backing
- Film-trimming expertise
- Tmax, xtol and zone densities question..help
- Graphic"22" rollback plate and Mamiya RB back?
- Tacking Irons
- condit registration equipment
- Suggestions for LF color Film....
- Masking techniques
- Grassroots Campaign for Super XX
- Speed graphic film back 120
- Substitutes for Super XX
- Can Polaroids be exposed in Fuji Quickloads?
- Scala 4x5 Users Experience?
- Kodak T-Max 100 Shipping today!
- 400 Delta Professional????
- AZO update
- Abrasive toning
- Open Darkrooms in Alaska
- Bergger BPF200 Rollfilm
- E-6 Recipe for first developer?? Anybody got one?
- JOBO CPE-2 Plus for 4X5
- Newbie question: Which side of film is emulsion side?
- TIPS ON USING SUPER-XX
- Banse & Grohmann film
- Arista stockists?
- Color Photography in a Theater
- Old, Expired, Fogged Film
- Who has the finer film grain ?
- Print washers, your advice
- technical pan + rodinal
- Development information for Arista 125 in D-76 and HC-110
- Contact printing - AZO etc
- landscape film speed
- Dimmer for Aristo VCL 4500 ?
- Kodak Pan Masking 4570
- Is there any reason to stick to Velvia ?
- Glass Plate Negatives/Photo Emulsion
- UK E6 lab - recommendations?
- Alt process negative density methods
- Fuji Provia F 100 Question
- Making your own E-6 from raw chemicals
- Beginner's Film Development
- Aristo V54 tube w/ Polymax or VC papers
- Curl in processed slides
- Portra 160 NC vs Porta 400 VC
- 110A or 120 Polaroid
- HABS/HAER Help!
- Unsharp mask info
- Pyro & t-max
- Peak Focuser Blue filter mystery
- Two step fixer bath for FB prints
- TMax100 ; reciprocity characteristics