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View Full Version : Darkroom: Film, Processing & Printing



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  1. Tri X film and HC110
  2. Max Black with NO color
  3. Multiple format Roll Film Holder for super graphic
  4. Resolution increases with print size?
  5. Use of lightmeter as densitometer for Zone system
  6. Faint circles on 4 x 5 film
  7. Toning Azo Paper
  8. Long exposures in daylight
  9. 4x5 processing tank
  10. What are the reciprocity characteristics for Agfapan 100?
  11. Is two stops more exposure the same as multiplying the time by four?
  12. Alignment finder for enlarger
  13. T-MAX RS vs MICRODOL
  14. Long exposure with Velvia
  15. Tanks for 4x5 film proccessing
  16. darkroom ventilation
  17. Is Delta 100 a modern replacement for TriX ?
  18. shooting with tungsten light source
  19. One more on reciprocity failure
  20. 6x9 View Camera Owners
  21. fire proof safe
  22. 70mm film
  23. Scala
  24. PMK
  25. How do you dry negatives after processing
  26. Developing times for Bergger BPF 200 and HP5 in Rollo-Pyro
  27. How good is Arista VC FB Paper?
  28. Rating FP4
  29. Arkay 1620 Rotary Print Washer vs. Archival Models
  30. 5X7 daylight processors
  31. TMAX and Dev. by Inspection
  32. Best paper for Graflarger Aristo Cold light
  33. 4X5 Polaroid ???
  34. Problems calibrating XTOL+TMY
  35. DiXactol
  36. contrast
  37. Buying a Densitometer
  38. Black and white photographer...need advice on color films
  39. Cheap film developer times
  40. Old Time Photos
  41. Gamma and Zone System
  42. Enlarged Negs for Alternative Printing
  43. Graflex 23 Roll Film Holder for my 4x5
  44. T-Max with RS dev: replenish or toss after each use
  45. Rapid Fix Without The Hardener?
  46. underdeveloped T-Max film
  47. Contact Print -- white boarder?
  48. Tri-X
  49. Cold Developers
  50. A drum developer?
  51. Can you push Velvia?
  52. Pulled Velvia: How to expose?
  53. Mysterious Concentric Rings on my Prints
  54. Do some paper developers stop and others keep going?
  55. Rotary Processors and Dilute Developers
  56. Film Date / Usage
  57. Maco IR film is available
  58. Proper use of a Color Densitometer for B&W Negatives
  59. Cross-Processing Polaroid Instant Film.
  60. Why 6x17 format vs. Cropped 6x12 or 4x5?
  61. Any tricks to maintaining 20C in Jobo processors?
  62. has anyone used the Sinar zoom 2 roll film holder? good? bad? worth $3000?
  63. Will a Post-It damage undeveloped film?
  64. Reciprocity Failure of Ilford HP5 Plus
  65. Polaroid instant 40 ISO chrome film - test shots?
  66. Will color negatives and chromes stand the"test of time"?
  67. Help with Polaroid film
  68. Negative or Positive ..which is better ?
  69. Tmax 100 - Green Tint?
  70. Should I shoot this box of Portra 160vc
  71. film drum dividers
  72. Tray vs. tank/hanger development
  73. 5x7 T Max Film Availability
  74. When I enlarge my pictures they come out fuzzy
  75. POP/Platinum: Dense Negative or Just Contrasty
  76. 8X10 Agfa APX100 dropped
  77. ilfochrome
  78. Will Beseler color analyzers work for BW
  79. Fuji Quickload negative film?
  80. Pre-soaking negs
  81. Is there any way to still get Agfapan 100 in 8x10?
  82. Omega D2 Negaive Carrier Options
  83. 4x5 chrome>Drum scan>Film recorder neg quality
  84. Darkroom
  85. DEKTOL WITH AZO
  86. How do YOU bracket?
  87. Shooting Velvia...the proper exposure
  88. 8x10 B&W Infrared Film Order
  89. Provia F- Are more recent batches improved?
  90. N+ and N- times for Pyro
  91. Forte 400 10x8 film
  92. Paterson Orbital Developer
  93. Best Priced Sheet Film?
  94. Fuji NPS Quickloads Soon?
  95. Pyro for underexposed Film
  96. Muddy Prints, Why?
  97. What to do about overexposure
  98. Compensating Development
  99. Perceptol developer & T max 100/400
  100. Linhof Rapid Rolex rollfilm back
  101. bulb for laborator 54 ???
  102. Kodak drops T-Max 100 4x5 Readyloads
  103. Is Condit Manufactoring still in business ??
  104. "Brightening" of processed Ektachromes
  105. Polaroid Film: how to prevent losing either corner opposite of the"peeled" end.
  106. Film developing faults on the Web
  107. Broken film developing hangers still usable?
  108. Canham 617 back announced at photokina?
  109. Quality Processing/Proofing via Mail?
  110. lab in Salt Lake
  111. Anyone know where I can get some PRN 100 in Readyloads
  112. JOBO CPP Processor
  113. Printing Pyro Negatives with POP
  114. Film Tests...Basic Question
  115. Two bath development technique
  116. Best paper focuser for T-Max 100 (4x5 negs)
  117. which film for office interior shot
  118. A place in the dark
  119. Enlarged negatives from Agfa Scala?
  120. Agitation pattern for Nikor 4x5 tank
  121. uv light source
  122. How to save underexposed Tri-x
  123. Are some B/W papers sharper than others?
  124. Magnetic Stirrers?
  125. Pin Registrated Negative Carriers
  126. Useable time on Selenium
  127. Film recommendation for SLOT Canyons
  128. Reducing Problem
  129. enlarged color contacts
  130. Pre-exposure of B&W and color 4x5 film
  131. Hypo problem
  132. Attaching Mamiya 645 to Linhof Master
  133. How do I load a Horseman 6x7 220 rollfilm back?
  134. Color film and halogen lights???
  135. Preferred Methods of Processing 8x10 Film
  136. Publics knowledge of printing paper: RC vs FB
  137. Azo comments
  138. 1 year old Tmax 100 film
  139. N+, N- development with Scala
  140. Any sign of single sheet Readyloads yet?
  141. T-Max 400 film processing tip
  142. Sensitometry to RGB?
  143. Making your own printing paper?
  144. Dusk control in the darkroom
  145. printing out frames
  146. How does Beselar PM2a work ?
  147. Film Developing in a Jobo Tank
  148. Kodak Polytoner
  149. Rejlander type contact prints?
  150. Efke Sheet Film Availability
  151. Is ferrotyping worth doing on modern glossy fiber paper?
  152. What is the best way to store Tmax 100 for longivity?
  153. T-Max film -- EXPOSURE INDEX AND DEVELOPMENT
  154. Easel question for 16x20 and 20x24 printers: To VACUUM EASEL or not?
  155. Agfa 8x10 sheet film is discontinued
  156. Arista films comments/thoughts??
  157. Fuji NPS/NPL soon to be available in Quickload
  158. Developmemt by inspection
  159. One developer and One film forever.
  160. Best LF negative film for drum scanning?
  161. JOBO tank on roller base?
  162. Sinar zoom back
  163. Source for new ferrotype plates?
  164. Non-corroding stainless steel darkroom sink
  165. Ilford Ortho Plus
  166. Fuji NPS versus Portra
  167. What happened to Polacolor 100?
  168. Drums and Rotators
  169. Using film developer for paper
  170. Dark spots on prints caused by holes on emulsion
  171. film for 5x7 format
  172. JOBO 2500 4X5 sheet film processing tank
  173. Finger marks on film: does it matter ?
  174. Roll film holder question
  175. Anyone familiar with the Pony 6x17?
  176. Where is Zone VI?
  177. What is this mystery film?
  178. Guess What Fuji-Santa's Bringing!
  179. Arista Film Redux
  180. 4x5 Enlarger - Most compact
  181. Kodak quick load holder/s
  182. darkroom walls
  183. use of step wedge.
  184. Yankee Adjustable Film Tank Directions
  185. xrays at airports no more film-safe?
  186. Quality of Arista FB VC
  187. the basics of selenuim toning...
  188. Increasing potassium hydroxide concentration in rodinol.
  189. recommended soup for thin negatives
  190. D-76 v. HC-110
  191. 5x7 B&W films
  192. How much developer to use per sheet.
  193. Anti-Halation backing on TMAX 100
  194. Alternative technique in tray processing
  195. Printing 4X5 B&W
  196. Storage, Scanning and Projecting 4x5
  197. 8x10" Fuji Velvia
  198. 6X12 roll film on Toyo AII or Horseman FA/fHD
  199. Using Rapid Fixers diluted as one-shot
  200. Wista versus Horseman Rolfilm Backs
  201. How to clean gunk off of transparencies?
  202. Infrared: fogging + film discontinued ?
  203. Polaroids In Below Freezing Temps?
  204. What is the developing time for TRI-X 4x5 film?
  205. Handling exposed film the field.
  206. Roll filmback Q?-what about those...for?
  207. old film
  208. Short washing times for films
  209. Air travel with sheet film
  210. Grain Focusers and Magnifiers
  211. Contact printing paper/ chem. will any combinations work?
  212. Reducing back for use on Horsemen 45FA
  213. contact printing
  214. FOMA 100 ZONE SYSTEM
  215. Film deep freezing experiences
  216. neg. holders for 4x5 enlargers?
  217. Micromega Critical Focuser
  218. Sexton Method to Develop Sheet Film
  219. FIXING with safe light.
  220. Pre-exposure dust on film
  221. Azo past & present
  222. Tri-X Sheet Film Development
  223. Lookig for one B&W fine art film and developer...
  224. Printers: Need help with Newton rings problem
  225. Spots on negatives
  226. anyone using the Versalab print washers?
  227. Flashing a B&W Print
  228. Wimberley's W2D2 developer
  229. Infra Red Film Reality
  230. Converting condenser head to"cold light head" via flashed opal glass difusion
  231. Has anyone built Gordon Hutchings' Zone Board?
  232. Ferrotype Release Agent
  233. printing problem: shadow at edge of projected image
  234. Any ARCHIVABLE LF ink jet printers that can equal darkroom print?
  235. Large Format Black and White Sheet Films
  236. Is 4x10 film available ?
  237. 2 Quickies to start the New Year
  238. Tmax 400 / Xtol - Higher Base Fog Than Usual?
  239. Developing 4x5 film. which way to go
  240. C-41 in Jobo
  241. Shelf life of hypo clear
  242. Best Prices on ReadyLoad/QuickLoads?
  243. blue 120/4x5 fuji transparency film
  244. Full frame carrie for 4x5 negs.
  245. Info on Kodak Panatonic-x film
  246. Coffee as a warm-toned toner?
  247. Tri-x sheet film with D76 1:1?
  248. Tonal range in large format?
  249. Where Is Kodalith Fine Line Developer?
  250. Changing Development time.