PDA

View Full Version : Darkroom: Film, Processing & Printing



Pages : 1 2 [3] 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47

  1. DIAFINE AND JOBO ?
  2. Tri X film and HC110
  3. Max Black with NO color
  4. Multiple format Roll Film Holder for super graphic
  5. Resolution increases with print size?
  6. Use of lightmeter as densitometer for Zone system
  7. Faint circles on 4 x 5 film
  8. Toning Azo Paper
  9. Long exposures in daylight
  10. 4x5 processing tank
  11. What are the reciprocity characteristics for Agfapan 100?
  12. Is two stops more exposure the same as multiplying the time by four?
  13. Alignment finder for enlarger
  14. T-MAX RS vs MICRODOL
  15. Long exposure with Velvia
  16. Tanks for 4x5 film proccessing
  17. darkroom ventilation
  18. Is Delta 100 a modern replacement for TriX ?
  19. shooting with tungsten light source
  20. One more on reciprocity failure
  21. 6x9 View Camera Owners
  22. fire proof safe
  23. 70mm film
  24. Scala
  25. PMK
  26. How do you dry negatives after processing
  27. Developing times for Bergger BPF 200 and HP5 in Rollo-Pyro
  28. How good is Arista VC FB Paper?
  29. Rating FP4
  30. Arkay 1620 Rotary Print Washer vs. Archival Models
  31. 5X7 daylight processors
  32. TMAX and Dev. by Inspection
  33. Best paper for Graflarger Aristo Cold light
  34. 4X5 Polaroid ???
  35. Problems calibrating XTOL+TMY
  36. DiXactol
  37. contrast
  38. Buying a Densitometer
  39. Black and white photographer...need advice on color films
  40. Cheap film developer times
  41. Old Time Photos
  42. Gamma and Zone System
  43. Enlarged Negs for Alternative Printing
  44. Graflex 23 Roll Film Holder for my 4x5
  45. T-Max with RS dev: replenish or toss after each use
  46. Rapid Fix Without The Hardener?
  47. underdeveloped T-Max film
  48. Contact Print -- white boarder?
  49. Tri-X
  50. Cold Developers
  51. A drum developer?
  52. Can you push Velvia?
  53. Pulled Velvia: How to expose?
  54. Mysterious Concentric Rings on my Prints
  55. Do some paper developers stop and others keep going?
  56. Rotary Processors and Dilute Developers
  57. Film Date / Usage
  58. Maco IR film is available
  59. Proper use of a Color Densitometer for B&W Negatives
  60. Cross-Processing Polaroid Instant Film.
  61. Why 6x17 format vs. Cropped 6x12 or 4x5?
  62. Any tricks to maintaining 20C in Jobo processors?
  63. has anyone used the Sinar zoom 2 roll film holder? good? bad? worth $3000?
  64. Will a Post-It damage undeveloped film?
  65. Reciprocity Failure of Ilford HP5 Plus
  66. Polaroid instant 40 ISO chrome film - test shots?
  67. Will color negatives and chromes stand the"test of time"?
  68. Help with Polaroid film
  69. Negative or Positive ..which is better ?
  70. Tmax 100 - Green Tint?
  71. Should I shoot this box of Portra 160vc
  72. film drum dividers
  73. Tray vs. tank/hanger development
  74. 5x7 T Max Film Availability
  75. When I enlarge my pictures they come out fuzzy
  76. POP/Platinum: Dense Negative or Just Contrasty
  77. 8X10 Agfa APX100 dropped
  78. ilfochrome
  79. Will Beseler color analyzers work for BW
  80. Fuji Quickload negative film?
  81. Pre-soaking negs
  82. Is there any way to still get Agfapan 100 in 8x10?
  83. Omega D2 Negaive Carrier Options
  84. 4x5 chrome>Drum scan>Film recorder neg quality
  85. Darkroom
  86. DEKTOL WITH AZO
  87. How do YOU bracket?
  88. Shooting Velvia...the proper exposure
  89. 8x10 B&W Infrared Film Order
  90. Provia F- Are more recent batches improved?
  91. N+ and N- times for Pyro
  92. Forte 400 10x8 film
  93. Paterson Orbital Developer
  94. Best Priced Sheet Film?
  95. Fuji NPS Quickloads Soon?
  96. Pyro for underexposed Film
  97. Muddy Prints, Why?
  98. What to do about overexposure
  99. Compensating Development
  100. Perceptol developer & T max 100/400
  101. Linhof Rapid Rolex rollfilm back
  102. bulb for laborator 54 ???
  103. Kodak drops T-Max 100 4x5 Readyloads
  104. Is Condit Manufactoring still in business ??
  105. "Brightening" of processed Ektachromes
  106. Polaroid Film: how to prevent losing either corner opposite of the"peeled" end.
  107. Film developing faults on the Web
  108. Broken film developing hangers still usable?
  109. Canham 617 back announced at photokina?
  110. Quality Processing/Proofing via Mail?
  111. lab in Salt Lake
  112. Anyone know where I can get some PRN 100 in Readyloads
  113. JOBO CPP Processor
  114. Printing Pyro Negatives with POP
  115. Film Tests...Basic Question
  116. Two bath development technique
  117. Best paper focuser for T-Max 100 (4x5 negs)
  118. which film for office interior shot
  119. A place in the dark
  120. Enlarged negatives from Agfa Scala?
  121. Agitation pattern for Nikor 4x5 tank
  122. uv light source
  123. How to save underexposed Tri-x
  124. Are some B/W papers sharper than others?
  125. Magnetic Stirrers?
  126. Pin Registrated Negative Carriers
  127. Useable time on Selenium
  128. Film recommendation for SLOT Canyons
  129. Reducing Problem
  130. enlarged color contacts
  131. Pre-exposure of B&W and color 4x5 film
  132. Hypo problem
  133. Attaching Mamiya 645 to Linhof Master
  134. How do I load a Horseman 6x7 220 rollfilm back?
  135. Color film and halogen lights???
  136. Preferred Methods of Processing 8x10 Film
  137. Publics knowledge of printing paper: RC vs FB
  138. Azo comments
  139. 1 year old Tmax 100 film
  140. N+, N- development with Scala
  141. Any sign of single sheet Readyloads yet?
  142. T-Max 400 film processing tip
  143. Sensitometry to RGB?
  144. Making your own printing paper?
  145. Dusk control in the darkroom
  146. printing out frames
  147. How does Beselar PM2a work ?
  148. Film Developing in a Jobo Tank
  149. Kodak Polytoner
  150. Rejlander type contact prints?
  151. Efke Sheet Film Availability
  152. Is ferrotyping worth doing on modern glossy fiber paper?
  153. What is the best way to store Tmax 100 for longivity?
  154. T-Max film -- EXPOSURE INDEX AND DEVELOPMENT
  155. Easel question for 16x20 and 20x24 printers: To VACUUM EASEL or not?
  156. Agfa 8x10 sheet film is discontinued
  157. Arista films comments/thoughts??
  158. Fuji NPS/NPL soon to be available in Quickload
  159. Developmemt by inspection
  160. One developer and One film forever.
  161. Best LF negative film for drum scanning?
  162. JOBO tank on roller base?
  163. Sinar zoom back
  164. Source for new ferrotype plates?
  165. Non-corroding stainless steel darkroom sink
  166. Ilford Ortho Plus
  167. Fuji NPS versus Portra
  168. What happened to Polacolor 100?
  169. Drums and Rotators
  170. Using film developer for paper
  171. Dark spots on prints caused by holes on emulsion
  172. film for 5x7 format
  173. JOBO 2500 4X5 sheet film processing tank
  174. Finger marks on film: does it matter ?
  175. Roll film holder question
  176. Anyone familiar with the Pony 6x17?
  177. Where is Zone VI?
  178. What is this mystery film?
  179. Guess What Fuji-Santa's Bringing!
  180. Arista Film Redux
  181. 4x5 Enlarger - Most compact
  182. Kodak quick load holder/s
  183. darkroom walls
  184. use of step wedge.
  185. Yankee Adjustable Film Tank Directions
  186. xrays at airports no more film-safe?
  187. Quality of Arista FB VC
  188. the basics of selenuim toning...
  189. Increasing potassium hydroxide concentration in rodinol.
  190. recommended soup for thin negatives
  191. D-76 v. HC-110
  192. 5x7 B&W films
  193. How much developer to use per sheet.
  194. Anti-Halation backing on TMAX 100
  195. Alternative technique in tray processing
  196. Printing 4X5 B&W
  197. Storage, Scanning and Projecting 4x5
  198. 8x10" Fuji Velvia
  199. 6X12 roll film on Toyo AII or Horseman FA/fHD
  200. Using Rapid Fixers diluted as one-shot
  201. Wista versus Horseman Rolfilm Backs
  202. How to clean gunk off of transparencies?
  203. Infrared: fogging + film discontinued ?
  204. Polaroids In Below Freezing Temps?
  205. What is the developing time for TRI-X 4x5 film?
  206. Handling exposed film the field.
  207. Roll filmback Q?-what about those...for?
  208. old film
  209. Short washing times for films
  210. Air travel with sheet film
  211. Grain Focusers and Magnifiers
  212. Contact printing paper/ chem. will any combinations work?
  213. Reducing back for use on Horsemen 45FA
  214. contact printing
  215. FOMA 100 ZONE SYSTEM
  216. Film deep freezing experiences
  217. neg. holders for 4x5 enlargers?
  218. Micromega Critical Focuser
  219. Sexton Method to Develop Sheet Film
  220. FIXING with safe light.
  221. Pre-exposure dust on film
  222. Azo past & present
  223. Tri-X Sheet Film Development
  224. Lookig for one B&W fine art film and developer...
  225. Printers: Need help with Newton rings problem
  226. Spots on negatives
  227. anyone using the Versalab print washers?
  228. Flashing a B&W Print
  229. Wimberley's W2D2 developer
  230. Infra Red Film Reality
  231. Converting condenser head to"cold light head" via flashed opal glass difusion
  232. Has anyone built Gordon Hutchings' Zone Board?
  233. Ferrotype Release Agent
  234. printing problem: shadow at edge of projected image
  235. Any ARCHIVABLE LF ink jet printers that can equal darkroom print?
  236. Large Format Black and White Sheet Films
  237. Is 4x10 film available ?
  238. 2 Quickies to start the New Year
  239. Tmax 400 / Xtol - Higher Base Fog Than Usual?
  240. Developing 4x5 film. which way to go
  241. C-41 in Jobo
  242. Shelf life of hypo clear
  243. Best Prices on ReadyLoad/QuickLoads?
  244. blue 120/4x5 fuji transparency film
  245. Full frame carrie for 4x5 negs.
  246. Info on Kodak Panatonic-x film
  247. Coffee as a warm-toned toner?
  248. Tri-x sheet film with D76 1:1?
  249. Tonal range in large format?
  250. Where Is Kodalith Fine Line Developer?