- Do I want a plate burner?
- pushing film speed - a delusion?
- D-Max shootout
- Off Topic: clear details enlarging 13-fold?
- roll film processing
- Film in Albuquerque
- Processing film to completion: my personal drama
- Acros QL with D76
- Polaroid Type 51 - any new expiriences?
- Is there such thing as film flare?
- kodak tmax 400 vs. tri-X 320
- Water controll mixer?
- film larger than5x7
- developer for tri-x 320?
- 5x7 film in the US
- Boxes for ULF film
- SpotTone still manufactured?
- Leaf 4x5 Film Scanner
- Another victim - AGFA in Chapter 11
- Kodak closes paper plant in Sao Paulo, Brazil
- Opinions on Kodak "Metallic" color paper?
- Agfa looks to be going away now
- Demand & Availability of 8x10 Color Negative Film
- Mixing Ferric Ammonium Oxalate for Ziatypes
- Comments/ideas re Atlanta/ULF darkroom rental
- 4X5 negatives turned out opaque and tan
- Medium Format B+W film for 24x30 prints
- FP4+ Jobo presoak or not?
- Is 10 Year Old Tri X film, Still Good?
- Refrigerating Polaroid Film
- Source for Acros not in quickloads
- Thursday morning laugh
- Selenium Toner Impact On Negatives
- jobo cpe-2 instruction manual
- Need Help picking a color film
- Xtol 1:3 in a Jobo 3006
- Toning and Permanence
- Zone VI - VC Cold Light - Older Style - Settings?
- negative sandwich
- daylight fill developing tubes ??
- Why does Polaroid look soft?
- Ilfochrome P-30 Chemistry
- Favourite film/developer for pushing
- UV Light Sources For Platinum Palladium
- chemical refridgeration
- Best Source For Soft Darkroom Hose
- Velvia 100 availability
- Looking for an adequate paper-trimmer
- How do you remove sheet film from a JOBO without
- Semi-Stand development and uneven spots
- Free darkroom equipment
- Bay Area, CA LF Darkroom Owners
- masking for contrast control
- Zone system and scanning
- Kodak Discontinuing B&W Paper?
- Using Surgical Gloves with Amidol and Pyro
- Recommended dilution for rotary processing
- Status of Azo
- opal diffusion glass
- Dynamic Range with Azo, Pt/Pd, etc
- expert drums
- Gamma for scanning
- Paper toning and permanence: experimental data
- how to open quickload packet for processing?
- Problem with Kodak Fixer powder
- Unicolor Drum Questioin
- Retouching negs
- timer
- Prints Made from Bergger BPF 200 on the Web?
- Experiences with changing bags and tents?
- Multi-Pt/Pd+NYTimes "Irving Penn:Platinum Prints"
- old ilford sheet film
- ez focus
- 8x10 film, Canadian mail order
- Fotospeed Legacy Printing Paper
- Free Calumet 16x20 Print washer parts
- Tray vs tank developing
- 4x5 film
- t-max 400 in HC-110
- Polaroid Instant Sheet Film
- Favorite B+W Film / Dev Combo
- Phenidone as powder expired date?
- Fast film recomendations
- Kodak to Ilford Paper Conversion Table
- problems with spotting prints
- Where do my fellow Canadians buy their ReadyLoad?
- color negative or transparancy
- What E6 4x5 to push?
- Fuji Acros
- Newbie needs Fil Advice
- Why does anyone shoot LF Trannies?
- Developer with Jobo
- Why Does Anyone Shoot Trannies - Round Two
- omega lpl vs lpl/xlg
- Photo Lab Index
- Expert drum ????
- What Would Edward Weston Use Today?
- Portra B&W Paper
- 8x10 negatives in paterson system tanks
- Paterson Thermo Drum/Power supply
- contact printing paper
- Fuji NPS 160 - What rating?
- Darkroom
- Techpan, wherefor art thou, Techpan?
- Macophot Infrared
- Aristo D2 cold light plugs
- Curly Prints.
- Don Worth...film developer?
- Split Filter printing
- What ISO for HP5 4x5 in DDX?
- To Develop With Stock or Diluted
- Saturated Colors
- Macophot Infrared
- Disposing Pyrocat HD
- Developing 5x7 B&W negatives
- pre-soak ?????
- Diluted developers in BTZS tubes
- Patterson tank processing problems.
- Removing Smelly Odor from Trays
- cpe processor with 2521 tank
- Film shows ghost of film stored together
- glassless vs glass negative carriers
- Pyrocat HD (Jobo cpp2 vs tray development)
- How did I get hydrogen sulfide?
- Source for 16x20 FP4
- A question for any Experienced Chemists/Toxicologi
- Pyrocat HD makes no image at all?
- Calling all Pyrocat HD experts. I need your help!
- Polyethylene Envelopes for negatives
- 11x14 transparencies
- Urgent Help Needed!
- Recommendations for color neg film for scanning
- Contact Printing OLEC Halide Metal Printing Lights
- 160PortraVC vs. Fuji NPS
- Selenium/Ilford MGIV FB
- New size Ilfochrome chemistry
- Film
- cleaning print washer
- Fuji Acros DBI
- Processed to "Museum Archival Standards"
- Polaroid 55 ratings for negative
- I'm going to try abc pyro but have two questions
- Calumet b&w film prices?
- efke 25 N-1/N-2 ???
- Free: Ektaflex prof. materials and processor
- D-23 storage
- 4x5 color negative processing problems
- Wing Lynch 4x5 C41 processing
- 8x10 sheet film with D-76 in Jobo 3005 tank
- Local Contrast Illusions
- Polaroid 55 clearing problems
- Black and white film in bright/ high contrast cond
- HA! Gotta love LF!
- LPL66 Enlarger
- Interchangagle tank and reel question
- Alternative to Jobo CPE-2 ?
- Across with Perceptol
- 35mm film disappearing?
- A new Darkroom!
- Fuji NPS 160 and interior shots with long exposure
- printing paper
- Adox Bergger Foma and the rest
- New Velvia 100 - rated speed?
- enlarging baseboard
- Polaroid 55 clearing problem UPDATE
- Source for film in Queens, NY
- Stand development and D-76?
- Test: Optiled bulbs as a safelight
- Looking for a scanner mounting fluid
- Sheet Film Available in Spain
- 8x10 film with a Jobo CPE-2 ??
- Conference on Black and White
- darkroom mystery
- Kodak D-76 4x5 capacity
- Two reasons to use reversal film
- Ilford FP4+ ISO/ASA Rating
- My enlarging paper is bad
- bad paper part II
- neg or tran for scanning?
- Bergger B&W paper
- Mottled spots on film
- polaroid 55
- gases vs paper
- Silica gel packs in film boxes, a no no?
- agfa neutol wa formula
- Soft Contact Prints
- Modern black and white films
- Pro-Labs printing Platinum &/or Azo
- Irving Penn Platinum
- densitometers
- HP5 4x5 in Rodinal 1:200 stand starting point
- Two questions about film development
- Kodak to Drop More Film Lines
- Tri-x 320 or 400?
- when to dump fixer
- Achilles' Arm -or- The Curse of the Jobo Lift
- Dektol Dilution
- EFKE PL 100 reciprocity?
- fixer differences
- Developing my first 8x10 - stand development
- my paper is bad: a followup
- rotary development
- My Print Quality 10 Years Ago
- very short proof and enlargement times?
- Underexposed 4x5 negs
- Fuji Quickload Holder II
- 8x10 developing
- WD2D+ and stand development
- non anti halation films
- Darkroom chemistry effect on a file archive?
- Washing agent with printing?
- New Xtol?
- BTZS Exp/Dev Palm software.. OR?
- alternatives to photoshop
- Safelight suggestions
- fogging of distant vistas
- Ulf and Ilford!
- CPE2 and CPP2 Lift Arm
- selenium poisoning
- Arista 400 and rodinal
- photo chemistry and health
- venting
- Free Divider Separator for Calumet 16x20 print was
- Material for Masking: Contact Printing with UV
- type 55 unexposed edges on neg with front swing
- HP5 in Kodak chemicals?
- Scales for weighing dry chems?
- has AZO died?
- Fixer, hardner or not?
- 4x5 drum development questions
- Chemicals -- exposed to air
- Film ISO speed test question
- Loading 120 Onto SS Reel
- contact printing -what is the best color paper?
- Can you dry mount platinum prints?
- TMX 100 in HC-110
- Backing up negatives
- Looking for a developer I can stand in...
- Tmax 400 in trays with Xtol dev.
- Diafine and Sheet Films
- Tri-X!/fav portrait film/ballad of Triple-Notch
- Tips, Tricks, Best Practices for Tray Development
- Kodak E6 chemistry kit
- What if: Kodak and Fuji abandon film
- thousands of white specs
- Slight problem processing with Jobo 3005
- Jobo 3006 problems
- Film areas?
- Overview of Sheet Film Processing Options
- specially-built developing trays for 717, 820 film