- 4X5 Fuji Acros 100 in loose sheets.
- film imported or USA
- Film prewet, how much time?
- Processing Quickload Neopan Acros 100
- Tri-X 5x7in. film
- Film Testing with Step Wedge - Mistake
- fujimoto CP51 vs Colex Studio 50M
- lacquer
- Shooting 20x24 color display film in camera
- Bleach then fix
- acros and gamma plus
- What is the functions of a densitometer?
- Need Help Troubleshooting Toyo 6x9 RF Back Mystery
- warning on film storage for beginners
- Need low light/dusk film- color Transparency
- TMAX RS dilution
- Kentmere to distribute in US
- Shelf life of chemicals
- Macophot Infrared Film IR820c in Pryo Developers
- 5x7 film
- Beseler D.A.T.A. manual ???
- Tungsten Film for Landscapes
- Beefy Negatives
- Determining N-2, N-1, N, N+1... etc. development
- Shen Hao 6x17 roll film back - first impressions
- Should I home process?
- Favorite B&W Polaroid film?
- roll film back - is there a 6x7 AND 6x9
- Can you re-use photo chemicals and other ??'s
- Freestyle Shipping Rates
- Strange Patterns on E6 4X5 Sheets
- Old E6 film
- Freezing versus Refrigerating Film
- J and C Pro 100 Film
- future of 55/665
- Contact prints without a darkroom?
- chemical sensitivity
- maintaining chemical tempature
- favorite b/w film?
- Shooting Architecture Question
- Status of Forte and Bergger VC paper
- FR 4x5 development tank
- Colour Photography in WWII
- Calculating Reciprocity Failure
- Too much contrast in Polaroid 55 prints
- Roll Film-Cut Developed Roll Down 2 Single Frames?
- Darkrooms for rent in UT?
- I want to process 8x10" HP-5+ in DD-X in a Jobo
- Old vs. New Tmax
- Ortho-Lith film for Continous Tone
- Adapting a Graflex 70mm Roll film back to 120/220
- Understanding TMAX RS
- Ilfochrome! Difficult?
- Facts on Discontinuation of Ilfochrome?
- Paterson Contact Printer
- field use of type 55 and 665 pack film
- 8x10 Fuji Acros
- Kreonite is "gone"
- It's Official... RVP 50's Days Are Numbered
- Color film for 7x17?
- Tetnal C41 and Combiplan
- who going to be left
- Capibilities of film (400 lp/mm)
- Variable contrast head
- Kallitype
- Problem processing negs in Jobo expert drum
- Call for D76 users
- Old Formulas
- Velvia 100
- STEAMED!!!!!!!
- Developing procedure for Tmax 100, Jobo CPP-2
- dia-fine developer
- What the devil is going on here?
- POLAROID B&W 667 FILM
- survey digital vs traditional darkroom
- Some people can tell the difference.
- Neurological Problems
- Formaldehyde free Lith printing?
- Anybody using a CAP 40 processor for B&W prints?
- Ilford reborn
- Tr-Color Neg creation
- Ilford Multigrade Fiber alternative
- pin-registration for dye transfer
- Acid blue, red and yellow for dye transfers
- Super-XX Pan equivalent
- Velvia 50
- Canadians, need help!
- Can I use the same fix for film and paper
- Making sodium sulfite clearing mixture for Type 55
- bergger BPF 200, Rotory processing?
- Expert drum, Xtol and Ilford film
- Defender 777 developer
- Ilford & Various Rumours
- Source for 8x10 Velvia
- HP5 in A Paterson System 4 Tank.
- Large format film development
- Printing 8x10
- "Rapid fixer" v.s. plain old "fixer"
- Developing 7X17 in JOBO with pyrocat
- Supplies for Alt. Process Printing
- Best black and white film for a beginner
- tri-x in xtol development time (can you dilute?)
- tri-x in tmax developer
- Process color sheet film my own?
- Beseler 45VXL enlarger with motorized head
- 8x10 Astia on eBay
- Tri-X 320 and Rodinal -- recipes?
- contact print glass for alt. processes
- enlarger lens coverage
- Film speed loss processing tri-x in xtol
- Zone Six Enlarger Question
- Bergger200 + D76
- Spoting finished prints
- Darkroom Plans Available ?
- J&C Developing Tubes - Any comments?
- Rollie Film
- sharpness difference in papers?
- Ilford update
- what is the sharpest B&W paper?
- Brush development
- How to test film for in-camera colour separations
- Compensating development with Acros
- brush development
- understanding dektol dilution
- B&S Contact Printing Frame
- print chemical temperature
- drying fiber prints at home
- Polaroid 559 Pack film
- 13x18 cm film - in the UK?
- suddenly have a lot of vericolor 4111 film - uses?
- Color Neg for landscape
- Film testing : Zone VIII
- Old Formulas: Paper
- Old Formulas : Film
- Kodak Readyload film; Refrig? Where to develope?
- Adox Paper from J&C
- Ivory Based Paper
- Tube or Tray Development of 7x17 film?
- P.O.P. looks good!
- Developer Comparison: PQ Universal vs. HC110
- Fastest 4x5 Sheet Film in the West
- Tough Velvia 100F compared to Velvia 50
- Drought
- ideas for a water jacket
- Old Formulas : Toners
- wd2d+
- distilled vs. reverse osmosis
- Tri-x with oriental paper
- Velvia Color Shift
- Formulary TFX-2
- Rocklands "tintype" - finally working!
- Perfection XR-1 developer
- sick and tired-please help
- Buckled Velvia 4x5
- Marking 4x5 negatives
- Aquarium water pumps
- edge printing on new Tri-x 8x10 sheet
- Polaroid Back for Buschpressman
- Tetenal 3-bath E6 kit and Velvia 100F sheets
- Which Paper?
- 11x14 Film hanger availability
- Big enlarger easel advice, please
- Cleaning developing tanks
- Color film newbie questions
- Help needed on ARISTO VCL
- Freezing Film
- "New" HP5 Plus
- duka 10 and 50 safelights
- backpack and B&W film
- Q: Fiber Paper / Glass Sheets for Drying
- Kreonite is not gone
- Sources and info: Rubber stamps and archival inks
- Contact Printing
- Very High Brightness Range
- Ilford Ortho or #44 & pan
- How many dpi (cpi) is film?
- Polaroid 4x5 pack film discontinued?
- Problems with well water?
- focus shift with infrared film
- FP4+ in ULF disappearing, what is closest?
- HP5 on a Jobo
- Enlarge to sepps?
- J&C 200 excessive B+f ?
- Jobo system
- Old box of film: no notches?
- pre-soak question
- HP Combi-Plan, color film and old Tetanal usage
- Old box of film: no notches?
- pre-soak question
- Ilford ULF status
- could one-time large purchases hurt ilford, etc?
- loading 120 film onto reels for developing
- SHEET FILM IS NOT DEAD!
- B+W printing houses who are now using Chromira or Lightjet equipment ?
- Jobo developer system
- Traditional or digital darkroom?
- Chemistry for Ilfochrome
- developing Acros @ 400
- Why a darkroom?
- Ilford Sheet Film
- B&W toning help
- film
- Polywarmtone PW 17
- Velvia 100 sheet film
- Grain of Tmax 100 versus 400
- Predicting color balance and print exposure times.
- Airport X-ray Problems w/Provia 100 or similar
- Night-Vision tools in the darkroom ?
- OK, no more Arista LF, and now.....?
- Hypoclear and permawash?
- Upright printing containers
- Current Ilford product list
- Cosar Compuplus 73 densitometer
- Uneven development in a unidrum?
- Buying LF film in Portland OR
- Crack in Besler Drum
- Question about DC-76 Developer
- Airport X-Rays, Part II
- Bergger Paper half-weight?
- Simplest Contact Printing Method for 7x17?
- Alkaline Ph Fixers
- Your preferences in b&w printing materials?
- Peak Omega/Micromega.. why so expensive??
- Reducing the Dmax of Tmax 100
- Print sleeves for negatives?
- jobo 4x5 reel and tank, unicolor motor base
- Questions for Steve Sherman and Sandy King
- Need Help With Old Neg's
- Darkroom Exposure Meter
- Can I use a reprocamera for anything?
- Need Help 'Calibrating' a Critical Grain Focuser
- Contrast control basics
- Jobo Processor
- Another Paterson Orbital Query
- 4x5 Gigabitfilm-Any one using it in the USA?
- Kodak or Fuji Ready/Quickloads
- T Max 100 DBI
- A good place to buy factory-fresh film?
- kodak news
- 8x10 developing
- Efke's own chemicals
- Panic reaction?
- Ilford 10x8 processing drum
- Stand development/grain
- Need Some Paper...
- ID-11 vs D76
- Outdated Polaroid 55 film?
- Light Transmission Contour Pack -Contact Printing
- one shot fixer - again!
- tint on tranny